‘Suzhal: The Vortex’ – Amazon Web Series Review & Secrets

Estimated read time 7 min read
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Suzhal Amazon web series storyline: The setting of a story in a neighbourhood or small town seems to have a huge potential for drama. This has been done numerous times by filmmakers in popular TV shows and motion pictures worldwide. It is a successful formula for the straightforward reason that the community serves as the primary plot point in many stories, giving us a sense of the larger situation at hand. The small-town community is central to Pushkar and Gayatri’s eight-episode television series Suzhal: The Vortex.

Suzhal: The Vortex IMDB rating was 8.5/10

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In this made-up town named Sembaloor, where everyone knows everyone, a microcosm thrives. Knowing too little or too much less poses a serious risk as well; Suzhal is in the middle. At least three individuals are drawn to large cities and find the tight-knit community to be suffocating. And they all three have a heartbreaking secret that they all keep to themselves. However, Sakkarai aka Chakravarthy (a superb Kathir) relishes this insight into knowing too much about the individuals and how they behave. Given his line of work, this makes sense. He is a policeman who is currently in charge of the investigation into a missing girl.

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It ought to be a piece of cake. Sakkarai discovers aspects of the town he was unaware of as he investigates further. At one moment, Sakkarai murmurs, “I thought I knew them.” The character arc for Sakkarai stops here.

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There is rarely any room for error or a lacklustre effort because Suzhal is so tightly packed with intricacies. Even the psychological rewards are not a washout. The authors of the dense content, Pushkar and Gayatri, deserve a large portion of the praise. Additionally, directors Bramma and Anucharan did a wonderful job of adhering strictly to the written text.

As was previously mentioned, the community study is the central theme of Suzhal(amazon web series), and it allows us to witness the personal arcs and internal dynamics of characters like Trilok Vadde, Aishwarya Rajesh, Regina Thomas, and Parthipan’s Shanmugam (Harish Uthaman). The series, as its name implies, is about the repercussions when Nila, a minor, disappears on the first day of the Mayana Kollai festival, which is held to honour the goddess Angalaamman.

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With an overwhelming background score by Sam CS, Bramma establishes the main characters and problems in the first episode. To resist his boss Trilok’s request to increase their pay, union leader Shanmugan leads a demonstration of manufacturing workers. On the other hand, Trilok buys Regina Thomas’ loyalty by offering her money. The Mayana Kollai thiruvizha is currently being prepared for by believers and the entire community, however the fireworks take place elsewhere. A fire mishap occurs at Trilok’s factory, and Nila, Shanmugam’s daughter, goes missing. These two distinct but connected events occur.

The 1st episode has a great setup for the plot. Just like Vijay Sethupathi was introduced as Vedha in Pushkar Gayatri’s Vikram Vedha, imagine the first day of the festival and the director cutting this fervour ambiance and joyous mood with the introduction of a character. If you consider the aftereffects of the scene, it is stunning. The protagonist is viewed as a mythological figure in the story. Their storyline concludes there in suzhal(amazon web series)

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Each character in Suzhal has complex, contradictory feelings and is completely realised. Additionally, each character has depth. This would make a fantastic web series, in my opinion. The series never has a dull moment; at first, you could believe you’re one step ahead in the guessing game, but you eventually push those ideas to the side and become more immersed in it. For instance, you are immediately reminded of Drishyam when you see a missing girl, a minivan, and two families with various levels of privilege. But you are mistaken. Even greater is the twist.

The tone change in episodes 3 and 4 might be a touch too convenient for some viewers. It worked for me, and I was absolutely amazed at how carefully Pushkar and Gayatri considered this subplot before beginning to write. The series does not have perfect qualities. Sometimes, it has a tendency to normalise teenage love, which I find objectionable. Better writing was required for a specific revelation about Shanmugam and Regina’s mini-arc. Even without this passage, the narrative would have felt finished. Although it makes sense why Lakshmi (Nivedithaa Sathish) is there, Sakkarai’s love story was tedious. Rarely, when there is a lull, the actors make up for it. And they’re all in great shape right now.

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Suzhal focuses on both the benefits and drawbacks of dedication. Never does it take a side. Questioning but not condemning ritual sacrifices.

The narrative is tied together by hindu religion and beliefs. The authors aren’t afraid to call out hypocrisy either. For instance, it is demonstrated that men who worship goddesses and fear God are predators. Having joined a cult, a mother is reminded of the dominance of “higher” gods and how they let down their own minor deities.

Suzhal has to do with appearance, perception, and deceit more so than it does with values and traditions. Pushkar and Gayatri play with the audience’s perception of how we see the intricately detailed location and people throughout the series, as we previously saw in Vikram Vedha. They always have the upper hand over us. In Suzhal, you can never be right about anyone.

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Someone may appear to be a stalker at first glance, yet they may actually be the reasonable one. A affluent person might not be as bad as we imagine; transgender people can enjoy themselves without being linked with prostitution; Marxists can also accept commissions for their own advantage; and a girl with a perfect appearance can plan a murder. Alcohol consumption might still be a tradition. As they say, the devil is in the details. However, we always know who the devil is.

The nine-day Mayana Kollai story, Suzhal, is a tapestry of several occurrences. You can clearly view things on the festival’s final day when the goddess is riding in her chariot. This is an unique series where both the whole and the pieces are outstanding.

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“Suzhal: The Vortexis” currently streaming on Amazon web series section. Don’t miss it. Watch now

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