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Consider this for a moment: When was the last instance you pressed ‘Play’ for a TV show and restrained yourself to just one episode? Except for the occasional shows with a weekly release schedule, binge-watching has become the norm. It’s perfectly acceptable, given that many TV series are crafted with this binge-friendly concept in mind. They feature intricate storylines that compel viewers to invest more time than initially planned. However, if viewers find themselves constantly arriving late for other commitments due to their favorite shows, the impact can be substantial. This could lead to sleepless nights and transform individuals into committed couch potatoes who just can’t bring themselves to stop watching.
Upon reflection, this binge-watching culture may seem excessive. The emptiness felt after exhausting a show’s episodes might make one question the wisdom of binge-watching. In fact, for certain shows, savoring one episode at a time might enhance the overall viewing experience for various reasons. Here are 10 TV shows that prove to be more rewarding when consumed in a non-binge fashion.
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10 TV Shows That Are Better If You Don’t Binge Them
Succession (2018 – 2023)
In the HBO hit series Succession, the Roys, a family long led by patriarch Logan Roy, find themselves at a crossroads as Logan’s health deteriorates. The power struggle among his children intensifies, especially with Kendall displaying potential but also inconsistency. The show diverges from the cliché of a stubborn old man unwilling to relinquish control, adding depth to the characters and their ambitions.
Enjoying Succession is a richer experience when savored slowly. The emotional journey of the Roys unfolds gradually, with characters evolving from season to season. Taking the time to understand everyone’s motivations and goals fosters a more forgiving perspective as a viewer. Kendall’s transformation from season one to season four, for instance, becomes clearer when one immerses themselves in the intricacies of the corruption-laden narrative. Binge-watching might overwhelm some, given the dense character arcs. Additionally, with only four seasons, each episode’s magnetic pull makes it worthwhile to savor the series and make it last.
Mystery Science Theater 3000 (1988 – Present)
Mystery Science Theater 3000, with its extensive run of over 200 humor-filled episodes, has a distinct charm. The narrative revolves around a janitor abducted by scientists who subject him to a marathon of B-movies to observe his reactions. To endure this cinematic torture, Joel, the janitor, constructs two android companions. Together, they sit in a theater, mercilessly mocking the films they watch.
The uniqueness of each episode lies in the creative approach taken to mock the featured film. While the breaks incorporate comedy bits, the show’s true value is best appreciated by not binge-watching. The episodes, each mirroring the duration of an entire film, offer a chance to understand and savor the essence of the “bad movies” Joel and his robots endure. Though the series has a devoted following, its niche appeal may not be for everyone, and binge-watching might lead to quick fatigue. Despite its limited expansion, Mystery Science Theater 3000 continues to captivate its dedicated fanbase.
The Twilight Zone (1959 – 1964)
Over its various iterations, The Twilight Zone has maintained its core essence. Each episode, rooted in sci-fi or horror, presents characters facing improbable or supernatural situations. However, the show’s evolution has been marked by changes in episode duration, especially since its inception in the 1950s under Rod Serling. Despite the simpler production values of the past, the series has stood the test of time.
There’s a compelling reason to resist binge-watching The Twilight Zone, despite its status as one of the greatest TV anthologies. The anthology format imparts individual value to each episode and story. Taking time between episodes allows for a thoughtful appreciation of each, without hastily moving on, secure in the knowledge that a new and distinct narrative awaits. This approach also captures the essence of how the show was originally presented, before the era of platforms like Netflix, which might have seemed like an unimaginable form of technology back then.
Game of Thrones (2011 – 2019)
HBO’s fantasy series Game of Thrones, based on George R. R. Martin’s world, depicts the struggle for the Iron Throne among the Seven Kingdoms of Westeros. The show spans eight seasons and 73 episodes, unfolding intricate narratives and a power struggle amid the looming threat of the undead. Some argue that the series, with its myriad characters and evolving storylines, is best enjoyed as a weekly show. The abundance of details, key characters, and subplots suggests a preference for a one-episode-a-week format, allowing viewers to fully grasp the complexities without the need for constant cliffhangers—although exceptions are made for unforgettable episodes like the Red Wedding.
The Crown (2016 – Present)
The Crown, a Netflix drama chronicling the history of the British monarchy from Queen Elizabeth II’s early reign, delves into the intricate dynamics of a complex royal family navigating public scrutiny. From Princess Diana’s disruptive impact on the monarchy’s role in modern society to the challenges faced by Queen Elizabeth, the series unfolds the story gradually.
While widely recognized as one of the best-produced British shows, The Crown distinguishes itself by adopting a slow-burning narrative approach. This deliberate pacing may not resonate with all viewers, and despite its chronological continuity, binge-watching may not be the ideal way to experience the series. The broad time jumps between seasons result in a lack of seamless connection, suggesting that a more measured viewing approach could enhance the understanding and appreciation of the storyline.
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Hannibal (2013 – 2015)
Bryan Fuller’s Hannibal diverges from Thomas Harris’ Hannibal Lecter novels, crafting a contemporary narrative where FBI special agent Will Graham develops a complex and almost romantic connection with the enigmatic Dr. Hannibal Lecter. The series doesn’t adhere strictly to any one novel but instead reimagines the characters in a modern context. Over its three unsettling seasons, the dynamic between Will and Hannibal undergoes significant transformations, with continuity taking a backseat to the show’s atmospheric and visually stunning presentation. Given the unique visual and aesthetic elements, it’s advisable to take the time to absorb and appreciate the series. Despite its compelling qualities, it’s lamentable that no streaming service has taken the initiative to revive this distinctive and potentially groundbreaking show for television.
Twin Peaks (1990 – 1991, 2017)
Twin Peaks follows FBI Special Agent Dale Cooper as he investigates the murder of Laura Palmer in the peculiar town of Twin Peaks. While initially seeming like a straightforward case, the show takes unexpected turns in typical David Lynch fashion, revealing the town’s eccentricities. Twin Peaks, a standout ’90s TV series, is a masterpiece of Lynch’s storytelling, but it may not be the most binge-friendly. The show’s mystery is intricately woven with surreal elements, making it unpredictable and sometimes challenging to follow. Fans of Lynch’s work should be aware that Twin Peaks is best experienced gradually, allowing its unique narrative and Lynch’s distinctive style to captivate viewers when the time is right.
The Office (2005 – 2013)
Binge-watching “The Office” can be overwhelming due to its rich details and the eccentricities of its characters, particularly the peculiar manager, Michael Scott. Despite being a sitcom, the show’s intricacies make it worth savoring rather than rushing through. If it were released in today’s era of all-at-once episode drops, its success might have been different. Taking your time to watch allows you to fully appreciate the greatness of the show, and even after finishing, chances are you’ll find yourself starting from episode one for another rewatch.
The Wire (2002 – 2008)
HBO’s acclaimed crime series, The Wire, intricately unfolds the grim narrative of Baltimore’s pervasive crime and its profound impact on all facets of society, including law enforcement. Each season delves into a distinct microcosm of the city’s underworld, contributing to the show’s reputation as one of the greatest in modern television.
Taking the time to immerse yourself in The Wire proves beneficial, despite its non-anthological format. The series shines when viewers patiently observe the diverse and challenging situations presented in each season. The show serves as a meticulous exploration of a distorted reality, portrayed through the perspectives of characters grappling with the inability to hold onto idealism. Faced with harsh truths, these individuals are often compelled to confront the darkest aspects of themselves. Unlike typical HBO dramas that lend themselves to binge-watching, The Wire’s weighty themes and complex narrative suggest that a more measured viewing approach is more appropriate.
Fargo (2014 – Present)
Crafted by Noah Hawley in 2014 and drawing inspiration from the Coen Brothers’ film of the same name, Fargo stands out as an anthology drama series. Each season delves into distinct characters and their narratives, all intertwined by their connection to crime, intrigue, and murder in a small town. While justice is dispensed, it often sidesteps those who truly deserve it. Amidst the plethora of contemporary crime shows, Fargo claims a prominent position.
Here’s why binge-watching Fargo might not be the best approach. Anthology series, by nature, lack cliffhangers and unfold as slow-burning masterpieces. Hawley’s Fargo is no exception, with each episode teeming with intricate details and a notable absence of random events. This demands your full attention. Allowing time for each event to settle over a few days enhances the viewing experience. The show truly shines when you give yourself the opportunity to savor the progression of each season, embracing its peaks and valleys while taking the necessary breaks that Fargo demands from its audience.
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