20 Best Movie Posters of All Time

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While the saying goes, “Don’t judge a book by its cover,” the same might not be said for films and their posters. Movie posters play a crucial role as one of the first impressions audiences have of a film, hanging prominently in theaters. A well-executed movie poster, often as memorable as the film itself, strikes a balance between revealing and concealing elements of the plot and characters.

The debate over which film genre produces the best posters is ongoing, with horror and sci-fi often standing out. However, this list recognizes iconic posters from various genres, emphasizing that a successful movie poster should not only be visually appealing but also contain elements and taglines that pique curiosity.

Some films opt for the common practice of featuring multiple actors’ faces, leading to a “floating head” effect. While this approach can work, it is often criticized for lacking creativity and failing to capture the essence of the movie. A movie poster should be more than just a marketing tool; it should reflect the film’s unique color and atmosphere in a visually poetic manner.

While there are numerous outstanding movie posters, only a select few stand out as the best of the best. Here are the top 20 movie posters of all time.

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20 Best Movie Posters of All Time

Big Fish (2003)

The fantastical tale of a man with a penchant for storytelling unfolds in “Big Fish,” a heartwarming film that delves into the transformative power of narratives. Albert Finney portrays the imaginative father, Edward Bloom, who shares extraordinary stories with his skeptical son Will, played by Bill Crudup, as he lies on his deathbed. Following their separation, Will sets out on a quest to explore the enchanting world his father vividly described, discovering his own magical experiences along the way.

The brilliance of the film is encapsulated in its poster, where the fantasy element takes center stage. The title dominates the composition, adorned with tree branches reminiscent of a key scene in the movie, symbolizing its thematic depth. The Burton-esque font adds an eccentric touch, hinting at a narrative that may not be dark but promises an intriguing and peculiar journey. The title design’s uniqueness mirrors the fantastical odyssey the character embarks on, mirroring the film’s essence. Both the movie and its poster evoke the sensation of stepping into a new realm, portraying a silhouette of a man facing the sun, poised for the next extraordinary adventure.

It Lives Inside (2023)

The recently premiered horror film, “It Lives Inside,” incorporates strong elements from Indian demonic legends, intertwined with the personal narrative of its director, Bishal Dutta. The plot follows the familiar teenage theme, featuring protagonist Samidha (Megan Suri), who is eager to assimilate into her new school in the US after relocating from India. However, the storyline takes a drastic turn when a malevolent demon becomes a pivotal part of the narrative.

Despite receiving mixed reviews, “It Lives Inside” stands out for its distinctive premise and poster. The overall unsettling atmosphere is achieved through a dark red color palette and shadowy elements, with the poster prominently featuring the demonic aspect inspired by Indian legends. At the center of the poster is the main character, holding a jar emitting smoke, visually depicting the significance of the rituals in the story. The movie’s poster effectively captures the eerie essence of the film.

E.T. the Extra-Terrestrial (1982)

The beloved sci-fi film “E.T.,” directed by Steven Spielberg, is renowned not only for its heartwarming narrative but also for its impactful visuals. The story revolves around children who discover an alien and strive to keep him hidden from the government. The iconic poster, crafted by John Alvin, recently celebrated the film’s 40th anniversary, providing an opportunity for Alvin to reflect on his journey as a movie campaign artist.

The poster’s greatness lies in its simplicity, effectively capturing the dynamic between the boy and the alien. The imagery of their fingertips touching, accompanied by a bright light, along with a straightforward and poignant tagline, creates a powerful representation. The background featuring both the earth and space serves as a backdrop, reminiscent of Michelangelo’s “The Creation of Adam.” The poster skillfully balances contrast and similarity, conveying the film’s central theme — that differences should be embraced rather than feared. In its minimalistic style, the poster encapsulates the characters, offers a glimpse into the story, and conveys the film’s profound message.

The Thing (1982)

The 1982 sci-fi/horror film “The Thing” directed by John Carpenter is notable for its equally unsettling poster. The movie revolves around the discovery of a shape-shifting alien that mimics its victims, leading a scientific expedition in Antarctica to grapple with trust issues and the challenge of escape. The film is renowned for its suspenseful and thrilling sequences, earning it a reputation as one of the most effective horror films ever made. The iconic poster, created by Drew Struzan in just 24 hours, adds to the film’s allure.

The greatness of the poster lies in its simplicity and power. It features a figure in a winter coat with a glaring light obscuring their face, creating an air of mystery. This visual representation mirrors the film’s central theme of uncertainty, as characters struggle to identify the alien impostor. The cold, dark colors in the poster capture the characters’ fight for survival against the unknown creature, effectively conveying the fear and suspense inherent in the movie.

Moonlight (2016)

The 2016 drama Moonlight, a poignant coming-of-age film centered on identity and societal acceptance, resonates with many and sparks crucial conversations. It delves into the genuine struggles of a young, black, gay individual navigating a society that rejects him. Throughout Chiron’s (played by Ashton Sanders) life journey, the film underscores the significance of kindness, support, and community in helping him forge his unique path and embrace his true self.

The poster for Moonlight is noteworthy for capturing the film’s stunning cinematography. It skillfully emphasizes color and detail, mirroring the movie’s structure that follows Chiron through different phases of his life. Each color on the poster symbolizes a specific stage: light blue for innocence, pink for exploration, and dark blue for adulthood. Created by David Bornfriend, the poster artistically depicts the three phases of Chiron, showcasing three different individuals within one face. This visual representation symbolizes Chiron’s evolution, juxtaposing his old and new selves and highlighting the profound transformations he undergoes in the process of self-discovery.

Parasite (2019)


Since its debut in 2019, Parasite has captivated film enthusiasts with its exploration of class inequality in South Korean society, brilliant and intentional cinematography, exceptional performances by the cast, and subtle yet powerful horror elements. The film has garnered well-deserved global attention, and upon closer examination, it reveals intriguing details that continue to amaze audiences upon multiple viewings.

The poster, created by Kim Sang-man, contributes to the overall brilliance of Parasite. While it may seem simple at first glance, a deeper inspection reveals layers of key elements from the film. The artwork skillfully captures the ominous tone of the movie, using techniques like censoring the characters’ eyes to convey a sense of dehumanization and unease. The poster’s eerie and imaginative design incorporates significant details from the film, including the modern house in the background, the tent, and the ornamental rock, sparking curiosity for those unfamiliar with the movie and evoking a chilling response from those who have experienced it.

Malignant (2021)

James Wan’s 2021 horror flick, Malignant, is being hailed as a worthy addition to his impressive body of work. The movie, known for its brutal and haunting nature, establishes a thrilling atmosphere right from the beginning as characters navigate through chaos. While the film isn’t universally embraced, with audiences divided between those who love and hate it, critics commend its refreshing and enjoyable storytelling that doesn’t rely heavily on jump scares for terror.

Examining the poster, its black and red color scheme, commonly associated with horror, effectively signals the film’s genre. Malignant revolves around terror, with the protagonist, Madison (Annabelle Wallis), haunted by visions of seemingly real murders. The poster cleverly utilizes the letter “I” in the title as a long, red dagger, ominously descending toward the terrified face of the woman. This visual metaphor captures the essence of the film – nightmares, actual gruesome murders, and the harsh reality striking like a dagger. Overall, the poster serves as a compelling introduction to the atmospheric world of Malignant.

Titanic (1997)

Considered one of the finest films ever created, James Cameron’s Titanic not only delivered an iconic love story and a memorable soundtrack but also left an indelible mark with its classic poster. In the realm of drama and romance, movie posters often risk being uninspiring, yet Titanic stands out with a distinct style that has etched its place in cinematic history for over 25 years.

In the poster, the visual impact is direct and evident. Two lovers embrace against the backdrop of the grand Titanic, viewed from a lower angle to emphasize its immense size and narrative significance. The poster effectively communicates that this is a love story, subtly hinting at the impending tragedy as the ship’s prow appears positioned to potentially separate the embracing couple. This enduring image continues to capture the essence of Titanic’s great love story and remains a masterpiece in the world of cinema.

Everything Everywhere All at Once (2022)

The 2022 blockbuster “Everything Everywhere All at Once” achieved massive success and earned accolades at the Oscars for its exceptional blend of adventure and sci-fi elements. The film revolves around the character Evelyn, played by Michelle Yeoh, an ordinary protagonist thrust into an extraordinary multiverse adventure to safeguard existence. The storyline, characterized by its highs and lows, is a testament to outstanding writing complemented by brilliant acting and directing. The film’s poster, much like its narrative, stands out for its clever depiction of the multiverse and its low-budget effects. Despite its initial complexity, the poster effectively captures the essence of the movie’s diverse emotions and themes. It features the characters from various realities, each bringing unique elements, such as multiple eyeballs, a raccoon, an orange soda bottle, and wrenches. The circular design not only reflects the movie’s recurring motif but also draws inspiration from older religious paintings and art. In essence, the poster mirrors the film’s multifaceted nature, encapsulating everything from humor to heartbreak, complexity to simplicity.

Midsommar (2019)

Midsommar, an A24 psychological thriller/horror film, diverges from traditional horror themes by focusing on the horrors inflicted by humans rather than supernatural entities. In a departure from the typical dark and ominous settings of horror films, Midsommar unfolds under the bright and disorienting backdrop of northern Europe’s endless summer. The film’s standout feature lies in its vivid visuals and a narrative that lingers in the viewer’s mind long after watching.

The actors’ compelling performances, particularly Florence Pugh as Dani, contribute to the film’s impact as audiences share in the emotional journey of crying, sympathizing, feeling anger, and experiencing fear alongside the characters. The brilliance of Midsommar’s poster lies in its representation of Dani’s gradual descent into madness against the backdrop of the vibrant and cheerful surroundings. The poster captures the essence of Dani’s terrifying unraveling, depicted through a simple close-up of her tearful face juxtaposed with the bright colors and the seemingly joyful flower wreath in her hair. This portrayal effectively encapsulates the film’s disturbing exploration of Dani’s psychological deterioration.

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Memento (2000)


“Memento, an early masterpiece from director Christopher Nolan, delves into the gripping journey of a grieving and enraged husband seeking justice for his wife’s assault and murder, complicated by his short-term memory loss. The film captivates audiences with its intriguing and perplexing narrative, employing reverse chronology to immerse viewers in the fractured mind of the protagonist, Leonard Shelby (played by Guy Pearce).

The related article highlights the film’s unique storytelling approach, recommending it as a must-watch with endings that prompt a second viewing. The greatness of the movie’s poster lies in its representation of the reverse chronology, mirroring the shattered state of Leonard’s mind. Drawing inspiration from Leonard’s use of polaroids to navigate his memories (though they are unreliable), the poster portrays shrinking polaroids, symbolizing the fading and eventual forgetting of memories, a central theme in the movie. The visual metaphor eloquently captures the essence of the narrative: that some memories are best left forgotten.”

The Silence of the Lambs (1991)

The Silence of the Lambs, a legendary psychological thriller, is renowned not only for its spine-chilling narrative and the iconic villain Dr. Hannibal Lecter but also for the exceptional performances by Anthony Hopkins and Jodie Foster. Hopkins portrays the cannibalistic Dr. Lecter, while Foster plays Clarice Starling, a rookie FBI agent challenging the male-dominated world. The film’s enduring terror stems from its gruesome crimes, ruthless killers, and the suspenseful hunt, maintaining its scare factor over 30 years.

The poster is instantly recognizable to film enthusiasts, featuring the eerily pale Agent Starling with red eyes and a moth covering her mouth. This image symbolizes the film’s innocent victims, suggesting she might be the next target and cleverly playing on the theme of “silence.” The moth serves as a connection to the killer Buffalo Bill, who places moths in crime scenes. Overall, the poster effectively captures the chilling essence of the film and encapsulates its key themes.

Donnie Darko (2001)

In 1988, Donnie Darko, portrayed by Jake Gyllenhaal, experiences a surreal encounter with a demonic bunny named Frank, who forewarns him of the world’s impending end in 28 days. This marks the beginning of a perplexing journey for the young teen, compounded by the discovery of his wrecked bedroom. The cult classic film seamlessly weaves together elements of mystery, sci-fi, alternate universes, time travel, and sacrifice.

The poster effectively captures the essence of the movie by featuring Frank the rabbit prominently. The focal point is the unsettling image of a large, eerie rabbit head, creating a sense of foreboding and capturing the ominous atmosphere of the narrative. Upon closer inspection, the characters’ faces are intricately integrated into the rabbit’s features, utilizing every available space within the image and leaving the remainder of the poster in darkness. This deliberate design choice mirrors the film’s dark and suspenseful nature, requiring viewers to delve deeper into the details to grasp its complexities, mirroring the immersive experience of watching the movie.

The Exorcist (1973)

The Exorcist, a renowned horror film from 1973, tells the story of a mother’s desperate attempts to aid her daughter Regan, whose unsettling behavior prompts an exploration into the possibility of demonic possession. As medical explanations fall short, the narrative unfolds into a chilling exploration of the thin line between good and evil, culminating in a harrowing exorcism performed by the church. The film is acclaimed for its unsettling scenes and enduring impact on the horror genre.

The poster for The Exorcist effectively conveys a foreboding atmosphere, utilizing strong contrast and dark shadows to envelop the central figure of the priest. The silhouette of the mysterious man captures attention, with the spotlight on him evoking a sense of danger rather than reassurance. The poster boldly asserts the film’s status as one of the most terrifying ever made, emphasizing its enduring reputation as a masterpiece in horror cinema. Few films have matched the level of terror elicited by The Exorcist, solidifying its place among the greatest for aficionados of the genre.

Little Miss Sunshine (2006)


In the delightful movie “Little Miss Sunshine,” the Hoover family embarks on a comical and emotional journey to a beauty pageant, revealing both their strengths and weaknesses. The family, consisting of a drug addict, a teenager with dashed dreams of becoming a fighter pilot, and others, showcases a unique and hopeful bond. The film seamlessly combines humor and heartbreak, featuring outstanding performances from each family member and well-executed cinematography.

The poster’s brilliance lies in its use of bright yellow, fitting for the comedy genre and connected to the film’s title. The image of the Hoovers struggling to enter the van is iconic, capturing a poignant moment where the family unites to overcome obstacles. Simple yet hilarious, the poster provides a glimpse into the film’s essence, making it an excellent representation of the movie.

Vertigo (1958)

One of Alfred Hitchcock’s legendary films, Vertigo, narrates the tale of a former detective on a mission to prevent his old friend’s wife from taking her own life. As the plot unfolds, the narrative becomes increasingly enigmatic, filled with illusions and delusions that render the film both tragic and distinctive. The title itself hints at the sensation of vertigo experienced by both the characters and the audience as the mystery unravels.

The brilliance of the movie’s poster lies in its effective depiction of this disorientation. The use of a vibrant red hue and a spiral design conveys the protagonist’s descent into the center, capturing the essence of the film. This particular poster was groundbreaking during the 1950s, a period when many movie posters primarily featured star actors or crucial scenes. Vertigo’s poster, however, revolutionized this trend by simplifying the film’s message and communicating it through bold and innovative designs.

Pulp Fiction (1994)

Pulp Fiction, a groundbreaking film by Quentin Tarantino, continues to have a profound impact on the film industry even three decades after its release. The film’s remarkable screenwriting, featuring a non-linear narrative structure, is just one aspect that contributed to its iconic status. This innovative approach allowed the movie to weave together seemingly unrelated stories and characters, resulting in a captivating and memorable cinematic experience.

In addition to its exceptional screenwriting, Pulp Fiction is renowned for its distinctive poster. Adopting the layout of pulp magazine comics with subtle signs of wear and tear, the poster effectively captures the essence of the film’s narrative, particularly its underlying violence. Uma Thurman’s character on the poster further communicates this theme, as her composed pose with a casually placed gun suggests a level of nonchalant yet potent aggression.

Kill Bill: Volume 1 (2003)

The poster for Quentin Tarantino’s Kill Bill: Volume 1 is undeniably iconic, standing out as one of the most memorable in his extensive filmography. Beyond the film’s gripping plot, which is enriched with immersive fight sequences, the poster itself is noteworthy for its exceptional use of color. The movie’s intense narrative of rage and revenge is visually encapsulated through expansive and vibrant shots.

What makes this poster exceptional is Uma Thurman’s commanding presence. Clad in her legendary yellow jumpsuit and wielding a sword, Thurman exudes power and dominance, mirroring her character’s strength in the film. The poster’s overall design is both simple and sleek, featuring striking and lively colors that mirror a key strength of the movie. The elegant lines of Thurman’s figure, accentuated by the black in her suit, the black background bar, and the black text, contribute to the poster’s instant iconic status.

Jaws (1975)


Jaws, directed by Steven Spielberg, stands as a timeless masterpiece due to its uncomplicated yet flawless plot, impactful music, groundbreaking editing, and the iconic great white shark. The film’s renowned score, suspenseful atmosphere, and well-crafted characters contribute to its status as a cinematic classic. Delving into themes of survival and moral complexity, Jaws skillfully portrays the human experience of desperation and vulnerability when confronted with primal fears.

The film’s poster effectively encapsulates its message. The great white shark, representing nature’s relentless and indifferent force, dominates half of the poster. Positioned just above its formidable teeth is a small human figure, highlighting the contrast between the shark’s power and our own ignorance and naivety. This imagery conveys the lurking threat posed by nature, symbolized by the shark, with a visual impact that resonates with the film’s exploration of human struggle against formidable forces.

Alien (1979

The film Alien is renowned for its spine-chilling narrative and exceptionally frightening visuals. In the vastness of space, the crew aboard the spaceship Nostromo faces a harrowing situation when they investigate a mysterious signal from another ship, leading them to discover peculiar eggs. The tension escalates as an alien creature unexpectedly bursts out of an egg, attacking a crew member, marking the beginning of their ordeal.

The brilliance of the poster lies in its ability to encapsulate the essence of the film. The crew’s shift from hunters to the hunted, with an enigmatic alien creature stalking them within the confines of their ship, is effectively conveyed. The poster employs a single, powerful concept—a cracked alien egg surrounded by green beams and fog—to evoke a sense of eerie foreboding. The simplicity of the color scheme and layout is deliberate, emphasizing the art’s elegance, which resonates with viewers by invoking the terror of the unknown.

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