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Anthology films have often been associated with horror, thanks to popular titles like Tales From the Crypt (1973), Creepshow (1982), Trick ‘r Treat (2007), and V/H/S (2012). However, anthology films span a wide range of genres, including westerns, science fiction, neo-noir crime, animated musicals, and more. This list compiles the best non-horror anthology films, featuring three or more segments and varying lengths. With well-known names both in front of and behind the camera, these films cover diverse genres, ensuring recognition of several titles along the way.
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20 Best Non-Horror Anthology Films
To Each His Own Cinema (2007)
Undoubtedly, To Each His Own Cinema (2007) boasts an unparalleled assembly of accomplished filmmakers, including the likes of the Coen Brothers, David Lynch, Gus Van Sant, and David Cronenberg, among others. This anthology film showcases the talents of some of the finest American directors, as well as international filmmakers like Alejandro González Iñárritu, Jane Campion, Michael Cimino, Roman Polanski, and Wong Kar-wai.
What sets this film apart is the seamless collaboration of these directors, each skillfully bringing their segments to fruition with compelling performances from the cast. The film received widespread acclaim for its excellence in various aspects of filmmaking. Despite its brilliance, To Each His Own Cinema remains relatively unknown among the general audience, and it’s hoped that fans will discover and appreciate it in due time.
Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) (1972)
Woody Allen’s early work, “Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)” (1972), stands out as a noteworthy anthology film. The stories within the movie are loosely connected by the theme of sex, and Allen attempts to address seven questions about the subject through seven distinct narratives. Featuring talented performers like Gene Wilder, Lynn Redgrave, and Allen himself in various roles such as a doctor, a queen, and a court jester, the film is praised for its unique plot. Adapted from David Reuben’s 1969 book of the same title, the movie received acclaim from critics for its clever one-liners and consistent humor. Although its popularity may have diminished over time, it remains a significant anthology film that breaks away from the horror genre.
The Kentucky Fried Movie (1977)
The Kentucky Fried Movie (1977), penned by the comedic trio Zucker, Abrahams, and Zucker, stands out as one of the most amusing anthology films, with John Landis directing. Following this success, Landis went on to helm the renowned Animal House (1978). The film’s triumph catapulted the careers of both Landis and the writing trio, earning them widespread recognition. Although not the definitive anthology film, The Kentucky Fried Movie is undeniably uproarious, receiving acclaim from critics and drawing enthusiastic crowds to theaters upon its release. Its enduring popularity attests to its lasting appeal, making it a noteworthy entry in the comedy genre.
Dreams (1990)
One of Japan’s most celebrated filmmakers, Akira Kurosawa, ventured into the anthology genre with “Dreams” in 1990. Comprising eight vignettes inspired by the director’s own dreams, the film explores diverse characters like an art student and mountaineers, showcasing Kurosawa’s trademark style. Behind the scenes, the movie boasts remarkable cinematography, skillful blocking, and intriguing editing choices, maintaining the high standards set by Kurosawa’s previous works. “Dreams” is a testament to Kurosawa’s enduring creativity and imagination, making a significant contribution to the world of anthology films. Notably, it was Kurosawa’s first solo-penned project in over four decades, adding a personal touch to the film’s storyline.
Memories (1995)
Crafted by Katsuhiro Otomo, Memories (1995) is a captivating animated science fiction film featuring three distinct stories directed by various talents. The initial narrative, “Magnetic Rose,” is skillfully brought to life by Koji Morimoto based on Satoshi Kon’s screenplay. Next in line is Tensai Okamura’s contribution, “Stink Bomb,” with the screenplay penned by the renowned producer Katsuhiro Otomo himself. Concluding the anthology is Otomo’s own creation, “Cannon Fodder,” a story he both wrote and directed, earning widespread critical acclaim.
The film’s greatness is evident in its meticulous camerawork, showcasing well-executed Dutch angles, strategic points of view, expansive establishing shots, and frequent close-ups. The behind-the-scenes brilliance not only warrants a comprehensive exploration but also contributes to the effective storytelling of the three compelling narratives. While critics may differ in their opinions on which segment stands out as the highest quality, this diversity of perspectives only underscores the overall greatness of Memories.
New York Stories (1989)
Arguably, the three most iconic film directors hailing from New York City are Martin Scorsese, Francis Ford Coppola, and Woody Allen. In a collaborative effort, they came together to create “New York Stories” in 1989, a film comprising three segments. The first, titled “Life Lessons,” was directed by Scorsese from a script by Richard Price. The second segment, “Life Without Zoë,” was helmed by Francis Ford Coppola, who co-wrote the script with his daughter Sophia. Finally, Woody Allen took charge of writing and directing the third segment, “Oedipus Wrecks,” in which he also played the lead role.
As for its greatness, Scorsese and Allen’s segments received widespread acclaim from industry pundits. Although Coppola’s contribution, centered around a 12-year-old girl living in a hotel, left many fans and critics somewhat underwhelmed, it is considered a minor setback in the overall appeal of the film. While “New York Stories” may not be flawless, it stands out as an anthology film that is certainly noteworthy and deserving of attention.
Sin City: A Dame to Kill For (2014)
Sin City: A Dame to Kill For (2014), much like its predecessor, was co-directed by Robert Rodriguez and Frank Miller. It seamlessly weaves together familiar characters from the first film with a fresh cast, including Joseph Gordon-Levitt. Returning actors such as Jessica Alba, Bruce Willis, and Rosario Dawson deliver captivating performances throughout.
What Makes It Outstanding This installment features some of the most captivating visuals, characterized by a thoughtfully chosen color palette, distinctive cinematography, and extravagant effects that perfectly capture the essence of Sin City’s (under)world. Each storyline stands strong on its own, contributing to the overall high-quality narrative. While not necessarily hailed as the greatest anthology film, A Dame to Kill For deserves recognition for its exceptional qualities.
History of the World: Part 1 (1981)
In Mel Brooks’ “History of the World: Part 1” (1981), the filmmaker takes audiences on a comedic journey through human history using a series of vignettes. Known for his prowess in spoofs, Brooks not only wrote and directed the film but also portrayed five different characters, showcasing his versatility alongside a notable cast of performers. While critics may not have been effusive in their praise, fans embraced the film enthusiastically, especially teenagers who engaged in lively post-screening discussions outside local theaters. The movie’s humor and the debate over which vignette elicited the most laughs became a memorable part of its legacy. Despite any critical reservations, “History of the World” is now regarded by many as one of the funniest films of its era, particularly within the realm of anthology films.
Paris, je t’aime (2006)
Paris, je t’aime (2006), a well-known anthology film, boasts an array of accomplished directors like Gus Van Sant, Alexander Payne, Joel and Ethan Coen, Wes Craven, Gérard Depardieu, Sylvian Chomet, and Alfonso Cuarón. Each of the twenty-two stories is set in Paris, contributing to the film’s charm.
Despite the limited scope for character development in each short tale, the collective impact of the poignant plots creates a lasting emotional resonance. The film’s enduring appeal is attributed to the intricate behind-the-scenes elements that enhance the overall production quality, making it an essential and timeless anthology film.
Kaos (1984)
Kaos (1984), like many anthology films, weaves together its narrative through a shared location—Sicily. The film comprises four distinct stories, each standing alone yet connected by their Sicilian backdrop. These tales delve into various subjects, from a raven to humans such as a landlord, peasants, and a grieving mother, even exploring the realm of a werewolf. Notably, Kaos ranks among the lengthiest films in its genre, with each segment averaging a forty-minute runtime, along with an epilogue.
What makes Kaos exceptional is its lasting impact on viewers, evident in its impressive 100% approval rating on Rotten Tomatoes. Despite its initial lack of popularity, the film has gained a devoted fanbase over time. The three-hour cinematic experience is a testament to masterful screenwriting, cinematography, and acting. Even though its extended duration may have hindered its reception upon release, Kaos deserves recognition as a standout example of storytelling prowess.
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Heavy Metal (1981)
The 1981 animated sci-fi film, Heavy Metal, kicks off with a captivating opening sequence leading into a compelling inciting incident. The film employs a framing segment to introduce eight stories, each unfolding in a technologically advanced or high-fantasy setting and centering around a crystalline orb called the Loc-Nar. Despite facing criticism for its primitive elements, Heavy Metal stands out as one of the best-animated anthologies. Boasting a stellar cast and crew, the film features renowned actors and skilled directors. What sets it apart, however, is its impressive lineup of musical artists, including Black Sabbath, Blue Öyster Cult, Cheap Trick, Journey, Devo, Nazareth, and Stevie Nicks. This collaboration contributes to the film’s status as a certified cult classic.
Coffee and Cigarettes (2003)
Undoubtedly, Jim Jarmusch stands out as a master of anthology films, with his renowned work “Coffee and Cigarettes” (2003) being a prime example. What sets him apart is his unique approach of directing all segments himself, a departure from the usual practice of having different directors for each part. In this particular film, he presents eleven segments, each featuring pairs of characters engaging in the titular vices.
One remarkable aspect is the stellar cast, including acclaimed actors like Cate Blanchett, Alfred Molina, and the musical duo Jack and Meg White. The ensemble is a who’s who of talent, with Tom Waits, Iggy Pop, Isaach de Bankolé, Roberto Benigni, RZA, Steve Buscemi, and Bill Murray, among others. Jarmusch skillfully brings together this star-studded lineup, showcasing his ability to translate a distinctive vision into a seamlessly executed project.
For aficionados, “Coffee and Cigarettes” is considered one of Jarmusch’s finest works, and the film’s greatness is attributed to the exceptional cast, diverse pairings, and the director’s ability to weave a unique narrative with these iconic characters. The inclusion of well-known names from Jarmusch’s collaborative circle adds another layer of excellence to what is hailed as the pinnacle of anthology film history.
The Ballad of Buster Scruggs (2018)
Starring Tim Blake Nelson in the lead role, “The Ballad of Buster Scruggs” (2018) comprises six distinct segments, beginning with Buster’s comedic tale and followed by another featuring James Franco. The film takes a poignant turn from its third segment onwards, leading to a spectacular finale with renowned actors dressed in iconic western attire.
What Makes It Outstanding Crafted by Joel and Ethan Coen, the film is infused with wit in every dialogue exchange, and the actors deliver their lines with sharp insight. Notable performances come from Liam Neeson, Tom Waits, Zoe Kazan, and Brendan Gleeson, among others, portraying eccentric characters. The film’s perfect pacing ensures that each story is engaging without overstaying its welcome. “The Ballad of Buster Scruggs” is a seamlessly crafted experience that reflects the unique touch only the Coen brothers could provide.
Fantasia (1940)
Despite its controversies, Disney’s animated musical Fantasia (1940) remains notable for its eight well-crafted segments that maintain significant value in today’s context. The film features a renowned score conducted by Leopold Stokowski, with live-action sequences of the orchestra interspersed between segments, adding a tangible and powerful tone throughout. The animation style stands the test of time, and the opening scene is particularly esteemed in the community. Fantasia is widely recognized as one of the greatest films, irrespective of its unconventional structure and genre. Even today, it enjoys high praise from critics, a testament to its enduring significance.
I Am Cuba (1964)
I Am Cuba (1964), a politically charged drama directed by Mikahil Kalatozov, stands out as a divisive film in cinematic history. Produced through an international collaboration between Cuba and the Soviet Union, the movie faced criticism from both countries upon its initial release. Despite its initial lack of recognition, the film gained prominence only after the collapse of the USSR in 1992, receiving appreciation for its restoration.
The film’s standout feature is a mesmerizing long take that involved a team of technicians assisting the camera operator in capturing intricate tracking shots. This aspect positions I Am Cuba as a meticulously crafted project, particularly when viewed from the perspective of behind-the-scenes filmmaking. The performances of the cast members also contribute significantly to bringing Kalatozov’s perceived magnum opus to life, despite the controversies surrounding it. Today, many fans celebrate the film’s restoration and argue that it deserves more recognition and appreciation.
Tokyo! (2008)
Tokyo! (2008) is a unique film comprising three segments directed by non-Japanese filmmakers Michel Gondry and Leos Carax from France, along with Bong Joon-ho from South Korea. Each director crafted a story set in Tokyo, filming on location in the city. The narratives are marked by bizarre characters and unconventional plot points, consistent with the directors’ penchant for absurdity.
The reception varied among industry experts and movie enthusiasts, with Gondry and Carax’s stories dividing opinions, while Joon-ho’s segment generally received positive acclaim. What makes Tokyo! exceptional is its strange yet beautiful storytelling, delivering a poignant experience rarely found in anthology films. The film is characterized by its shock value, humor, and charm, maintaining these qualities until the final frame. Regardless of genre, Tokyo! stands out as one of the best in its class.
Sin City (2005)
Directed by Robert Rodriguez and Frank Miller, Sin City (2005) stands out as a renowned non-horror anthology film, adapted from Frank Miller’s original comic book series. The narrative weaves through various tales, including one centered on an ex-convict seeking revenge and another following a private investigator entangled in a street conflict between gangsters and prostitutes. A separate segment unfolds a story involving a young woman, a police officer, and a serial killer, all portrayed by well-known Hollywood actors.
The film’s greatness is attributed to outstanding performances by Bruce Willis, Jessica Alba, Rosario Dawson, Clive Owen, and Benicio del Toro. Their acting prowess is complemented by a distinctive visual style and coordinated sound design, coupled with a remarkably intelligent script. Sin City’s storytelling stands the test of time, making it undeniably one of the finest anthology films, excelling in both its narrative and cinematic elements.
Night on Earth (1991)
Night on Earth (1991), in true Jarmusch fashion, offers a distinctive perspective on the human experience by delving into the lives of taxi cab drivers across five different parts of the world, spanning from the west to the east—beginning in Los Angeles and concluding in Helsinki. The film introduces a compelling lineup of characters, each impeccably portrayed by talented actors, as it takes the audience on a global journey.
From the bustling streets of Los Angeles to the iconic backdrop of New York City, the romantic allure of Paris, the charm of Italy, and the unique atmosphere of Helsinki, Night on Earth weaves together engaging narratives that showcase the diverse and memorable personalities of these cabbies. The film stands out not only for its well-crafted characters but also for the delightful and eloquent dialogue that graces each story, making it one of the most original and humorous anthology films ever created.
In the realm of movies centered around taxi drivers, Night on Earth stands tall, offering a unique blend of charismatic performances, masterful pacing, and a distinctive sense of humor. Despite its considerable merits, the film could be considered underrated, given its perhaps lesser-known status. Nevertheless, with its enduring appeal, Night on Earth remains a timeless piece of cinema, captivating audiences with its wit and charm.
Wild Tales (2014)
Argentine filmmaker Damián Szifron directed the Spanish-language black comedy “Wild Tales” in 2014, also writing the script based on four of the six stories inspired by his own experiences. The film’s success, becoming the highest-grossing Argentine film, stems from its seamless storytelling, with each tale set in a different location and featuring distinct characters. The overarching theme of societal constraints on freedom ties the narratives together. The film elicits a wide range of emotions, from the thrilling prologue to the absurd finale, making it a standout anthology. Szifron skillfully directs a talented cast, resulting in a flawless and impactful final product.
Mystery Train (1989)
Mystery Train (1989) marks Jim Jarmusch’s third entry on the list of anthology films, solidifying him as a master of the genre. The film follows three distinct sets of characters traveling on the titular train to Nashville, Tennessee. Each storyline unfolds independently yet interconnected, weaving a captivating narrative. The first segment focuses on a Japanese couple on vacation, while the second revolves around a widowed Italian stranded in the city.
What sets Mystery Train apart is its stellar cast, including Joe Strummer and Steve Buscemi in the final story. Jarmusch’s brilliant script seamlessly ties these stories together, creating the illusion of a cohesive feature film until a pivotal moment disrupts the continuity. The film stands out for its emotional resonance, with each segment hitting home. Individually compelling, the stories gain even more allure when combined, making Mystery Train a strong contender for the greatest anthology film ever.
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