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The science fiction genre, often associated with imaginative narratives and futuristic elements, hasn’t always been recognized as a platform for top-tier acting in cinema. Initially, it faced some prejudice, possibly stemming from its connection to cheesy B-movies of the 1950s. However, the perception began to change in the 1970s with the success of films like Star Wars, which brought sci-fi into the mainstream. The 1980s marked a significant period for the genre, producing big-budget films with cutting-edge special effects and impressive casts.
Despite this, the sci-fi stigma persisted, particularly in films that blended sci-fi with horror. John Carpenter’s The Thing (1982) stands out as a prime example of a well-acted and directed film initially underrated during its theatrical release. Fortunately, critics eventually recognized its merits, and the movie, along with its performances, is now celebrated worldwide. The list below highlights 11 performances from ’80s sci-fi films that deserve a reevaluation for their potential iconic status.
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10 Performances in ’80s Sci-Fi Movies That Are Massively Underrated
Kevin Dillon – The Blob (1988)
The 1980s saw a resurgence of brilliant sci-fi horror remakes, with standout examples like The Thing and David Cronenberg’s grotesque take on The Fly. In 1988, director Chuck Russell joined the trend of reviving ’50s classics with ’80s special effects in his version of The Blob. Despite being on par with The Thing and The Fly in terms of quality, this remake didn’t achieve commercial success and was generally overlooked by critics. Over the years, however, movie enthusiasts have recognized The Blob as one of the finest sci-fi horror remakes, even though Kevin Dillon’s central performance remains relatively underappreciated.
The Underrated Aspect In his portrayal of Brian Flagg in The Blob, Dillon builds upon the concept of the central character from the 1958 original, played by Steve McQueen. McQueen’s character was a rebellious youth who lived by his own rules. Dillon, sporting stylish rock star hair and a slick leather jacket, seamlessly steps into that archetype and modernizes it for the skeptical atmosphere of the ’80s.
Kurtwood Smith – RoboCop (1987)
RoboCop stands out as a quintessential ’80s sci-fi classic, seamlessly blending impressive special effects with a dose of action-packed entertainment. Beyond its visual appeal, the film’s enduring charm lies in its sardonic humor and incisive social commentary, making it a cinematic gem that ages like fine wine. While Peter Weller’s performance rightfully takes center stage, it’s Kurtwood Smith’s portrayal of the villainous Clarence Boddicker that deserves special recognition.
What sets Smith’s Boddicker apart is his unwavering malevolence, skillfully avoiding the pitfall of becoming a caricatured villain. Smith’s sinister grin and furtive gaze perfectly capture the character’s sadistic nature, commanding every scene he inhabits. In essence, Smith transforms Boddicker into a villain that elicits both disdain and fascination—a testament to his exceptional performance in the film.
Sean Connery – Outland (1981)
Outland, a 1981 sci-fi film, is often overlooked despite its innovative approach to traditional Western tropes in a futuristic setting. Serving as a reimagining of the 1952 classic High Noon, the movie stars Sean Connery in a role reminiscent of Gary Cooper’s. Unfortunately, the film didn’t fare well upon its initial release, leading to a lack of recognition for Connery’s outstanding portrayal of Marshal William T. O’Niel. In this role, Connery departs from his iconic “James Bond” persona, delivering a nuanced and troubled character. O’Niel, portrayed as resilient and formidable, stands out as a compelling Western hero, comparable to legendary characters like The Man with No Name and Sartana. Despite Connery’s stellar performance, the film remains underrated, with its merits often overlooked.
Dennis Quaid and Louis Gossett Jr. – Enemy Mine (1985)
Among the plethora of sci-fi and space fantasy films that emerged in the aftermath of the original Star Wars trilogy, Enemy Mine stands out as a particularly unique entry. Despite beginning with the typical sci-fi action sequence of an intense spaceship battle, the film takes an unexpected turn, deviating from the action-packed norm to delve into unexplored narrative territory. Instead of focusing on action, Enemy Mine unfolds as a meticulously crafted character study, distinguished by the exceptional performances of its two main actors.
The story revolves around the survival and unlikely friendship of two characters: human soldier Willis Davidge and the alien soldier Jereeba Shigan, portrayed by Dennis Quaid and Louis Gossett Jr., respectively. Quaid impressively embodies the role of a self-assured and initially unlikable tough guy, who undergoes a transformation as he allows his guarded demeanor to thaw. On the other hand, Gossett Jr. delivers a convincing portrayal of the reptilian alien character, communicating in his own alien language. The chemistry between Quaid and Gossett Jr. is remarkable, and their on-screen journey from mortal enemies to a brotherly bond is skillfully portrayed, making them an exceptional acting duo for the film.
Jeff Bridges – Starman (1984)
Starman, directed by John Carpenter, stands out as one of Carpenter’s finest works, yet it remains underrated in the realm of sci-fi romance. The film revolves around an alien who, after crashing on Earth, takes on the appearance of a widower’s deceased husband. A unique connection blossoms between the alien and the woman, adding depth to the narrative. Jeff Bridges delivers a stellar performance as the titular Starman, transforming the unconventional role into one of the highlights of his illustrious career.
Despite the film’s potential to become a saccharine fantasy, Bridges’ portrayal infuses the character with sweetness, charm, and profound sympathy. His nuanced performance brings out distinctive quirks that only someone of his caliber could convincingly convey. Rather than veering into sentimentality, Bridges grounds the story, ensuring it remains both believable and dramatic. Despite these qualities, Starman tends to be overlooked, possibly due to a lack of widespread recognition for its merits in the crowded landscape of science fiction cinema.
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John Stockwell and Michael Dudikoff – Radioactive Dreams (1985)
In the realm of underappreciated science fiction treasures, Albert Pyun’s low-budget masterpiece, “Radioactive Dreams,” stands out as a must-watch post-apocalyptic noir. The film revolves around two endearing aspiring detectives, Phillip Chandler and Marlowe Hammer, portrayed flawlessly by John Stockwell and Michael Dudikoff. These two actors are impeccably suited for their roles.
What sets Stockwell and Dudikoff apart in this film is their portrayal of Chandler and Hammer, two detective fiction enthusiasts emerging from a fallout shelter in the aftermath of a nuclear war. Their characters’ combination of optimistic naivety, constant witty banter, and undeniable on-screen chemistry places them among the iconic buddy duos of the era. In the ranks of legendary pairs like Wayne and Garth or Bill and Ted, Stockwell and Dudikoff’s performances make them an integral part of the film’s charm.
Christopher Walken – Communion (1989)
Communion, a classic in the realm of alien abduction stories, unfolds as a peculiar sci-fi horror featuring the talented Christopher Walken. In the film, Walken portrays a novelist whose behavior takes a strange turn following an apparent encounter with extraterrestrials. Despite Walken’s commendable performance, critics initially dismissed the movie, depriving him of the recognition he deserved.
The film earns its spot on the list due to Walken’s quintessential and archetypal portrayal. His depiction is marked by its eccentricity, bordering on the unhinged, yet delivered with unwavering seriousness. While another actor might have turned this role of an intellectual spiraling into madness into a spectacle, Walken opts for a straight-faced approach. He authentically becomes the shattered protagonist, evoking sympathy from the audience as he desperately clings to his diminishing grip on sanity.
Michael Moriarty – The Stuff (1985)
The Stuff stands out as a quintessential B-movie, with director Larry Cohen embracing a ludicrous, high-concept premise and weaving it into a captivating narrative filled with action and clever social commentary, all accomplished on a modest budget. The story revolves around a popular new food product that sparks a detective’s quest to uncover its hidden secrets. Michael Moriarty delivers a typically outstanding performance as the detective, showcasing his phenomenal acting skills. Despite the film’s absurd plot primarily serving as a vehicle for special effects and a critique of capitalist politics, Moriarty skillfully brings coherence to the production. His portrayal of a determined man on a mission adds depth and humor to what could have been a generic detective role.
Jeffrey Combs – Re-Animator (1985)
“Re-Animator, a classic sci-fi horror comedy, features a storyline where two medical students develop a method to revive the dead. Jeffrey Combs, portraying the brilliant yet devious character in the duo, stands out with a performance that has become legendary in horror comedy. His portrayal of Herbert West is theatrical without being excessive, witty without being overly comedic, and, most importantly, intensely frightening. Combs transforms the character into one of the most enduring and memorable mad scientists in the history of science fiction, delivering a performance hailed as one of the greatest in the horror genre.”
Roy Scheider – 2010: The Year We Make Contact (1984)
A highly underrated science fiction gem, Peter Hyams’ sequel to 2001: A Space Odyssey, “2010: The Year We Make Contact,” stands out as a masterful space adventure with exceptional performances. Notably, Roy Scheider delivers one of his best-ever performances in the lead role of Dr. Heywood Floyd.
The film’s underrated status can be attributed to director Hyams’ deliberate choice to distinguish his work from Stanley Kubrick’s iconic original. Hyams decided to emphasize character drama and arcs in “2010,” resulting in performances that are more engaging compared to its predecessor. Scheider’s portrayal of Dr. Heywood Floyd is particularly noteworthy, capturing wide-eyed amazement at the wonders of outer space convincingly. His wit among friends and unease around potential enemies adds depth to the character. Scheider’s commitment to his role is evident, as he effectively carries the film, showcasing pride and dedication to his craft, which still resonates nearly four decades later.
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